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Georgia Gendall: Heat Between

12 April - 15 June 2025

Following last year’s programme, engaging with local farmers to explore concerns around food production and farming in rural communities, Kestle Barton starts this season with a solo show by Georgia Gendall who has created a new body of work in collaboration with Kestle Barton, Wysing Arts Centre and local dairy farms.

Responding to time spent on dairy farms in Cornwall and Bedfordshire over the autumn of 2024, Heat Between eavesdrops on the farm – its rhythms and the entangled relationships between humans, animals, and the land we share. Drawing from familiar farm materials, tools, and processes already present in these spaces – salt, milk, circulation, tongues, thermal imaging, ingestion, hooves, absorption, erosion – Gendall reframes our relationship with farming, making space for its complexity, uncertainty, and tenderness while asking: what lies beneath the surface?

At the heart of the exhibition is a series of salt sculptures, shaped by the tongues of cows—using ingestion as both a process of form-making and a means of inquiry. How do we shape, and how are we shaped by one another and the land we inhabit? Expanding on this, the film Heat Between dissects the anatomy of the farm; dissolving bodily hierarchies and lingering within the intimate points of contact between multi species bodies and the earth, revealing the unseen, visceral entanglements that bind us and the residual traces we leave behind.

Accompanying these works is a book featuring writing and photographs by the artist, with essays by Lizzie Lloyd and Ben Borthwick.

Image: Georgia Gendall, Heat between, Milk Photographs 4, 2025

Georgia Gendall’s Heat Between project has been generously supported by the Henry Moore Foundation.

 

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Georgia Gendall

Georgia Gendall’s (b.1991) practice is rooted in the rural landscape of Cornwall – where she grew up and now lives and works – Georgia uses event structures, sculptures, performance, video and social practice to bring people together through multi-sensory encounters that explore how the art intervention can draw attention to, subvert, celebrate or disrupt the familiar.

Recent solo/group exhibitions/events/ commissions, residences include: Tender Acts, Penryn Campus with Field Notes, 2024 – 2025, Wysing Arts Centre 2024 – 2025 Artist in Residence, Stokkøyart, Norway (2024), Camden Worm Charming, Camden Art Centre, London, (2023), Falmouth Worm Charming Championships, (2021 – 2024); Allotment Club, Penryn (2023); Exeter Open Contemporary, Exeter Phoenix Gallery, Exeter (2022); Stokkøyart, Norway (2022), Bothy Project, Scotland (2022), Thanks for the Apples, Falmouth Art Gallery, Falmouth (2021); When was the last time you lay down to look at the sky? Whitegold, St Austell (2020); In Other Words, Darling, Kestle Barton, Lizard, Cornwall & Auction House, Redruth, Cornwall (2019); also, also, also, Whitstable Biennale, Whitstable (2018).

Georgia runs Allotment Club; an artists led project space situated within an allotment in Penryn, Cornwall. She is the founder of Falmouth Worm Charming Championships; an annual community worm charming event in Falmouth Cornwall and she runs Forced Collaboration: an online cross disciplinary instructions based collaborative platform, aiming to forge relationships between artists from different locations.

www.georgiagendall.co.uk

Image: Georgia Gendall, Heat Between, Screenshot from film 3, 2025

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